It's nearly time for my film students to tackle a shot-by-shot analysis. It's a vital skill--I think, anyway--for writing about film, but I've been wracking my brains trying to figure out a more visual approach to complement it, riffing perhaps on the great Movies in Frames site. Any thoughts?
Oh, and I've been drinking too much coffee. Thus the Martin Arnold and very Breathless grab from Three Frames.
