The cinetrix would like to thank the eminently righteous Manohla Dargis publicly for the following bit of salty, no-bullshit goodness. Reading it has been one of the only bright spots in a very dark time chez cinetrix and 'Fesser.
On Nancy Meyers and Nora Ephron: I personally don't
think either of them is a good filmmaker — they make movies for me that
are more emotionally satisfying but with barely any aesthetic value at
all. I really like Something's Gotta Give, but I don't think
it's a good movie…. I'm of two minds. Sometimes I think what women
should do what various black and gay audiences have done, which is
support women making movies for women. So does that mean I have to go
support Nora Ephron? Fuck no. That's just like, blech.
On Sandra Bullock, whom she recently wrote should use her
production company to "start giving female filmmakers a chance to do
something other than dopey romances": Use your power for good, Sandy!
On why so many romantic comedies are so terrible:
One, the people making them have no fucking taste, two, they're morons,
three they're insulting panderers who think they're making movies for
the great unwashed and that's what they want. I love romantic movies. I
absolutely do. But I literally don't know what's happening. I think
it's depressing that Judd Apatow makes the best romantic comedies and
they're about men. All power to Apatow, but he's taken and repurposed
one of the few genres historically made for women. ….We had so few
[genres] that were made specifically for the female audience and now
the best of them are being made by Judd Apatow. But what are his movies
supposed to be about? Nominally about the relationship between a man
and a woman, but they're really buddy flicks. Funny People was supposed to have an important role for a woman, but she was uninteresting and an afterthought.
On representations of women onscreen: There's a reason that women go to movies like Mamma Mia. It's a terrible movie… but women are starved for representation of themselves. I go back to Spike Lee and She's Gotta Have It.
I remember going to see it at the Quad in New York, surrounded by a
black audience. People are starved for representations of themselves.
I am giving myself this post of her words for my birthday this year.